A Literary Genius or Fraud?

The major candidates for the accolade “Soul of the Age”

Shakespeare’s imagery and vast literary references include the legal and social elements of the Inns of Court, geography, history, war and weaponry, sports and games, classical mythology, drama, the natural world, sea-faring, hunting and falconry, astrology, medicine, art and culture, fashion, gardening and animal husbandry, fencing and fighting, the stage, religion, the occult/magic, paganism, folklore, metaphysics and oratory. Furthermore, to write so accurately about these subjects he would have had a library containing over 3,000 books and yet in the final last will and testament of the Stratford actor, William Shakspere there is no mention of any library, any books or manuscripts. No, not even a bible. Why was it necessary to perpetuate the myth and legend of William Shakespeare and who was responsible for this grandiose conspiracy and fraud on the world?

How did a relatively unknown and uneducated actor from Stratford-on-Avon become a universally popular and illustrious author of some 38 plays and several volumes of poetry? Having little or no primary education how would he become acquainted with the techniques of classical poetry, English, Greek and Roman history, as well as the political, legal, and social mores of Elizabethan court society? Indeed, how was this relatively illiterate man, who could barely sign his own name, able to develop an extraordinary vocabulary of some 29,000 words of which 1,700 were coined by him in such a short space of time. Why was his death in 1616 not eulogised and nationally mourned as a literary and dramatic genius? How could a man who had never known military service describe the historical battlefield so accurately and with such personal experience. If the man from Stratford had never travelled abroad how could he have known so much about the geography, customs and cultural traditions of towns and countryside in Venice, Padua, Antwerp and Rome?

The links to my publications “Shakespeare’s Qaballah”, a Companion to Shakespeare Studies and my anthology of poetry, “Pathenogenesis” are as follows:

https://www.amazon.com/dp/8182537193
https://www.cyberwit.net/publications/1721

Website: www.qudosacademy.org

Published by Leonidas Kazantheos

For as long as I can remember I have been passionate about the arts, social change and the sustainable environment. After more than thirty years of voluntary and professional involvement commuting between Yorkshire and Lancashire while working in those areas I finally relocated to Buxton in 2013. This was after the birth of our son Gaspard and to further the career of my French partner, Francoise Collignon who is currently seeking work in the tourism sector. In 1988 I became the Regional co-ordinator for the National Artists Association in Manchester and helped promote the artistic revival in the region. At the turn of the millennium in 2001, while pursuing my vocational interest in symbolism and the natural world, I became involved in environmental conservation and the protection of green space in W. Yorkshire. I was elected editor for Calderdale Friends of the Earth, a monthly postal and online newsletter. In my spare time I was preoccupied as a writer, natural archivist and amateur poet. Over a period of five years I also worked briefly as an architectural technician, landscape designer and mural artist near Holmfirth where I gained invaluable insights into restoration and the development of Green Field and Brown Field sites. In my mid-forties I relocated from Halifax, W. Yorkshire to Manchester where I worked as an artist and freelance set designer for several photographic, film and video companies. My work recieved reviews in Hotshoe International, Avant Magazine, NME, The Face, the Big Issue and one shot (The Wolf) became a best-selling poster for Athena Posters. In the late 80’s I became an active member of the National Artists Association and a subscriber to the Design & Artists Copyright Society. I assisted in the instigation of the first Multi-cultural Arts Conference and the first Black Arts Forum in Manchester. I became editor of a quarterly Arts Magazine concerned with promoting and supporting artist’s initiatives in the region. Nevertheless, in my spare time I wrote numerous articles on the natural world and researched aspects of Dream Symbolism and the study of semiotics and gestalts in literature and art. I was involved as facilitator for the local allotments and helped set up a local nature reserve at Hough End. Finally, I was encouraged by a close mentor in America to write more seriously about the work of the literary genius William Shakespeare and to pursue a role as a poet. Although somewhat reluctantly over the past four years I have given poetry performances, workshops and readings in Manchester. I have recently published an anthology of my poetry entitled “Parthenogenesis” and a companion to Shakespeare studies entitled “Shakespeare’s Qaballah”. I am currently working on a screenplay entitled “Not Without Mustard” about the life of Edward de Vere.

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